Adam Hughes, Mermaids, and Girls in Bathing Suits

I'm stuck on the current phase of my project so I decided to talk about a good comic book.

LEGIONNAIRES #7

October 1993

Legionnaires #7 is a "done in one" story that takes place right after a six-issue storyline that was very heavy. At this point in time, when you needed a lighter story with a fill-in artist, DC went to Adam Hughes, most famous at the time for his work on Justice League America. This was before Adam Hughes worked with Wildstorm FX on Gen13 and learned Photoshop which revolutionized his artwork.

As an aside, my copy is signed by Adam Hughes, probably at a time prior to his adoption of Photoshop as a primary tool, taking his talent to a different level entirely. If you check out Adam Hughes' origins for Wonder Woman and Power Girl in 52, you know how even his panel to panel work has been transformed by his evolution.

SUMMARY

Inferno, Triad, Matter-Eater Lad, Brainiac 5, Andromeda, Apparition, Ultra Boy, and Shrinking Violet are taking a vacation to the Atlantis dome of New Earth. They check into an inn run by an Atlean family complete with a cute mermaid daughter with a crush on Inferno. Operating under the assumption that everything is being comped, Inferno and Matter-Eater Lad indulge in play, and Matter-Eater Lad tries to put the moves on Shrinking Violet, who's interested in just being friends.The Legionnaires get caught in the crossfire of Atlanteans and alien Devil-Fish, and discover that the Devil Fish secretly settled on Earth, and thought the Atlanteans were responsible for the deaths caused when the domed cities of New Earth fled the destruction of Earth.

The Legionnaires leave, much to the disappointment of the hotel owner, and among them all, Shrinking Violet realizes that they were supposed to pay. Inferno returns and learns that the hotel owner was ashamed to embarrass the Legionnaires by correcting them. Despite their pleading, the other Legionnaires refuse to pony up more credits to Inferno and Matter-Eater Lad who ran up the highest bills while on vacation. Meanwhile Violet does admit that Matter-Eater Lad is cute.

REVIEW:

Tom & Mary Bierbaum were known for scripting some of the darkest stories in Legion history. It's nice to see it contrasted with this story. It's light and fun, and it would have been great to see this tone continued for years and years. However, DC Editorial felt the need to reboot the Legion so that it could attract new readers. This is now being tried for the third time. Enough about current DC Editorial policy, this is one very well written story. It's simple, cute, and concise. There's nothing here that doesn't need to be there.

The artwork by Adam Hughes is excellent and could only be better if it were done by the Adam Hughes of today. The Adam Hughes of fifteen years ago was an exceptional artist. The Adam Hughes of today is a phenominal artist. The best example of this in this story is when the hotel owner says good bye and violet looks back, realizing their mistake. The empty space on the page shows more skill than any line put on the page. Sometimes being a good artists is all about what you don't draw.

NOTES:

Again, this issue has never been collected. I'm sick of saying that about really good stories when crap like that issue of Spider-Woman gets collection treatment so people can be reminded of how crappy comics can be. Look for this issue. You might pay a little more because it's an Adam Hughes comic, but you shouldn't pay too much.

FINAL RATING: 9 (out of 10)

The highest rating I've given so far for a comic. It'd get an extra half point if it were a life-changing story or the inker and colorist blended better with Adam Hughes. I'm really looking forward to All-Star Wonder Woman.

Okay, back to trying to figure out this page.

Never Mind the Cattiness

The initial thought to start off this new blog feature was going to be the first issue of Legion of Super-Heroes that got me hooked on the Legion, but I saw this issue sitting behind it, and I have fond memories of how it affected my twelve year-old brain. So I pulled this out and popped the tape on the bag. My copy has seen some abuse and has, at some point, been bent diagonally (Hint: I need a new near-mint copy) so I don't mind reading while eating half of a leftover burger. Keep in mind that when I first read this, I had no idea who these people were for the most part. I'd only read the previous issue that had been centered on the Legion Academy and the main characters from this story showed up in one page of that story.

NOTE: This is a repost of one of my reviews of old comics from a blogger account I set up some time ago. In an effort to consolidate everything I post blog-wise, I'm posting it here.

LEGION OF SUPER-HEROES #305

November 1983

SYNOPSIS:

A spaceship arrives in orbit around the planet Imsk, which a convenient caption tells us that its inhabitants have the ability to shrink and it's threatened repeatedly to secede from the United Planets. Brainiac 5, Chameleon Boy and Element Lad summon Colossal Boy and Shrinking Violet (who is from Insk) to the bridge and reveal that their mission was a ruse as they ambush the pair and spray Violet with a chemical that cancels the shape-changing power of Durlans. It shouldn't affect Violet since she isn't a Durlan, but she tearfully admits that she is a Durlan, and therefore not Shrinking Violet.

Back at Legion HQ on Earth, Wildfire is sparring, rather roughly and effectively with three other male Legionnaires, while Phantom Girl and Shadow Lass trade catty comments about Wildfire's failed relationship with Dawnstar and team leader Dream Girl's relationship with Star Boy, right to his face.

We return to Imsk where Brainiac 5 is using a "psych-probe" on the sedated fake Violet reveals that she is a Durlan actress named Yera who was hired to impersonate Violet by three Imskians who claimed that Violet was with them while she was sick. She took the job to prove that she's a real actress with talents beyond shapeshifting. Element Lad tries to apologize to Colossal Boy afterwards, saying that they felt it was necessary to keep him in the dark as to not tip off Yera. Colossal Boy understands, but still pops Element Lad in the nose for making him "the last to know."

Elsewhere, on a planet that looks medieval, a man with long flowing red hair brushes by an old man into a village which he promptly destroys with a flash of fire and heat, just as a warning of who he represents.

On Imsk, Shrinking Violet is visiting the populace as a returning hero, and is secretly approached by an Imskian woman named Marlu who chastises Yera for coming to Imsk, and takes her to meet the others through a series of tubes that the Legionnaires and Science Police can't follow. Marlu takes Yera to Liberation Headquarters, which looks to be better organized than anyone suspected. They capture Yera and take her to the three men that hired her who then reveal that the real Shrinking Violet has been kidnapped and tortured to steal Legion and United Planets secrets from her brain.

Cut to Starhaven, near the galactic core, Dawnstar takes part in a private ceremony to start her search for a soul-mate and flies off, crying over having to lose Wildfire's love.

Back on Imsk what we thought was Yera turns out to be Chameleon Boy who breaks free of the restraints and leads the Legion to the Liberation Headquarters, where they make short work of the separatists, thanks to Colossal Boy's rage and Brainiac neutralizing the leaders' size changing powers to capture them. The Science Police mop up and take the rescued and medically critical Shrinking Violet away for months of recovery.

In an epilogue, Colossal Boy confronts a recovering Yera and realizes that he fell in love with Yera, not Violet, and decides to honor and continue their marriage.

REVIEW:

The inking is really great on this, with Kurt Schaffenberger providing a different inking style that really accentuates the mood of the various scenes, especially the artificial feel of the Legion cruiser, and the moodiness of the bowels of the Liberation Headquarters. His use of Duoshading was really well-done, although at the time, when comparing against other mainstream comics of the time, probably looked a little distracting at the time.

The story is excellent, with Paul Levitz really able to highlight Colossal Boy emotionally in a way that I can't recall any subsequent writer being able to pull off. He appears as a real person here, although the ending is a bit convenient, as he very easily accepts Yera for who she is. His writing of Shadow Lass and Phantom Girl really made me despise them as being the equivalent of the popular girls in school who are real bitchy just because they can be. The fact that these two relatively weak powered heroes are dating the most powerful guys on the team just adds to that characterization.

Penciller Keith Giffen was known during his run for setting a definitive look to the 31st century, and this issue doesn't disappoint in that aspect. He renders a world whose inhabitants can shrink as believably as any major motion picture. At this point, Keith Giffen's art style had yet to evolve into the style that came from his emulation of Jose Munoz, and his artwork is very reminiscent of Wally Wood here, but with more attention to detail, as this was the era at DC of George Perez, which permeated a lot of art at that time. It works really well here. I might even put this as the naturalistic high point of his Legion run.

NOTES:
This issue has yet to be collected in any trade paperback. Fortunately, at this point, Legion was a very well-selling title for DC and it should be easy to find at a large convention or a shop with an extensive back-issue collection that isn't flooded with 90s glut comics. It should be available for very litle cash. Comicspriceguide.com has this listed for $3.00, but I wouldn't be at all surprised to find it in dollar bins or cheaper.

FINAL RATING: 8 (out of a possible 10)